Movie Reviews

NEW | A B C D E F G H I J K L M N O P Q R S T U V W X Y Z | STREAM/TV

1940s | 1950s | 1980s | 1990s | 2010s | 2020s

C Wei Lam Kwa C Wei Lam Kwa

The Marvels

There’s nothing really too serious about The Marvels, which is really about three different but special women bonding during a silly space adventure. Their power sets are also a joy to watch even if they don’t make a lick of sense.

★★★1/2

Mild Spoilers


Directed by Nia DaCosta
Written by Megan McDonnell and Elissa Karasik


I’m not going to do a synopsis for this one, but instead I will just point out that there will be two “new” key characters that you wouldn’t know about if you haven’t seen Wandavision or Ms. Marvel on Disney+. Three, if you also haven’t seen Captain Marvel, which should obviously be mandatory viewing since this is kind of a direct sequel to that one. You don’t really have to watch the other two shows since it’s pretty common for superhero movies to introduce new superheroes anyway. But Ms. Marvel (Iman Vellani) is such a lovable, charming character even in this one that I’d recommend checking out Ms. Marvel as well.

Now, the movie. People are going to go to town on this one, because unfortunately it has issues. The whole movie felt choppy and rushed, like it had been edited to hell. It makes for a breezy, undemanding watch, but I thought it undermined some dramatic moments that could have been great scenes if given enough screen time to permeate. There are also some cosmic pseudo-science nonsenses that glossed over some plot resolutions. In comic books, this is par for the course, but with cynical audiences nowadays, prepare to hear a lot of b****ing and moaning about why it didn’t “make sense”. I was already hearing it from the bros sitting behind me after the movie had ended, who said that the answer was because “they were women.” I mean, bro, why are you here, watching it then? I pity the sole girl in their group who had to pretend-laugh at their mockings. I might as well also mentioned that these idiots were also talking through the first half hour of the movie, which was something I never thought I’d ever come across again after I started going to first-day screenings. Apparently, the morons have finally spilled into my safe space.

I digress. Despite the issues, I thought this was a fun watch. The three leads did a good job, but Vellani was effortlessly the scene stealer. I really enjoyed the cosmic-space stuff - it’s similar to the Guardians of the Galaxy flicks but having to explore new planets makes the MC-Universe feels big. There’s nothing really too serious about The Marvels, which is really about three different but special women bonding during a silly space adventure. Their power sets are also a joy to watch even if they don’t make a lick of sense. It is also a pretty funny movie, especially one major gag of a set piece that everyone is certainly going to talk about a lot and spoil it in no time. (They are two; let’s see if you can guess which one I was actually referring to.) I would recommend it, especially for ardent MCU fans, but also warn that this is truly fluff and not a Marvel entry with huge consequences in the grand scheme of things.

Well, except for the end credits scene, of course.

P.S. Just wanted to point out my surprise of seeing Mohan Kapoor here, who plays Ms Marvel’s father, because he was publicly accused of sexually harassing a minor last December, but I’ve not heard or am able to Google any development on that story. It’s possible that they’ve already finished filming The Marvels and were in post-production when that news broke. I can see how it was difficult to cut him out of the movie if they ever had the intention to, because he was an integral familial figure in Ms Marvel’s life and appears in every scene that featured her family. It’s really odd that things like this kept happening to Marvel of late.

Read More
S Wei Lam Kwa S Wei Lam Kwa

Secret Invasion

Secret Invasion is a spy thriller (more Bourne than Bond) that looks like one, even feels like one, but isn’t in any way as clever as it wants you to think it is.

★★1/2

Mild Spoilers


Directed by Ali Selim
Written by Kyle Bradstreet, Beto Dantas, Jonathan Hirschbein, Matt McRee, Haleema Mirza, Jennifer Muro, Jovan Robinson, Brian Tucker, Michael Bhim, Brant Englestein, and Roxanne Paredes


S.H.I.E.L.D. (or is it S.W.O.R.D. now?) head honcho Nick Fury (Samuel L. Jackson) returns from space to handle a sleeper Skrull agent named Gravik (Kingsley Ben-Adir) who has gone rogue and started his own terrorist organisation. He reteams with former associate Agent Hill (Colbie Smulders) and Skrull ally Talos (Ben Mendelsohn) to stop Gravik, with some help from Talos’ daughter G’iah (Emilia Clarke) who has allied herself with Gravik’s cause. If you didn’t know, Skrulls are a shape-shifting alien race who can physically impersonate anyone, not unlike Mystique from the X-Men films.

Secret Invasion is a spy thriller (more Bourne than Bond) that looks like one, even feels like one, but isn’t in any way as clever as it wants you to think it is. There is a huge potential here to create a very gripping espionage tale where literally anyone could be a Skrull in disguise, but because of budgetary reasons and one hand-waiving excuse, a Skrull needs to remain in one identity for long durations, which is pretty baffling since some Skrull characters here are literally walking about with their most identifiable facade for any covert operatives to easily spot and pick them up or take them out. With that kind of ability, I’d be changing into multiple identities at all times and be virtually impossible to find. I know it makes Skrulls a little overpowered, but I’m sure there are clever solutions that can be concocted to level the playing field, e.g. a Skrull detector of some sort, or just Fury using his wits to sniff out imposters. Instead, what we have here is a weak spy series with a lot of logical problems that they didn’t even bother to hide with great production values, which it also didn’t have. The script was also pretty dire - some of the most cringey dialogues I’ve ever listened to. The series also felt like it had forgotten to edit its footages, with some weird reactions and movements from actors that should have been trimmed away. Like there’s one moment where the President of the United States (Dermot Mulroney) made an odd, out-of-place grunt, or when Fury was pointing his gun at someone and his other arm just briefly flailed about for no reason at all. I suspected that they were forced to artificially extend the series to six episodes and didn’t have enough coverage for it. There is also another big issue that I had with the series that I will rant about in the spoiler section below.

The only saving grace is the cast. Jackson is the reason to watch this, and Olivia Coleman stole every scene she was in as a British clandestine operative Sonya Falsworth. Ben-Adir also happens to be in the Barbie movie that is currently in theatres, and it’s interesting that we get to see an actor doing two very different roles in the same span of time. I enjoyed Mendelsohn, Clarke and Smulders, but their roles are criminally limited.

I would only recommend this for die-hard MCU followers. This one is easily the weakest of the Marvel streaming entries to date.


I HAVE ONE SPOILER-Y GRIPE

Here’s my gripe: Fridge-ing Maria Hill and also Talos. But it’s not really just the idea of it, but the execution, no pun intended. These are pretty important figures in Fury’s world for decades and you’d expect a lot more care in the way their deaths had been handled, and provide a more satisfying dramatic impetus for Fury to stem out Gravik and his operations. But there’s just no impact being felt from their deaths, with a pretty nonchalant Fury who seemed strangely ambivalent towards the abrupt departures of his most trusted allies. Just a few shots of Fury getting, er, furious or upset would have been enough, but all we got were a bit of frowning and grimacing. It’s either an odd creative choice, or (I really hate to say this but) just plain ineptitude.

Read More
A Wei Lam Kwa A Wei Lam Kwa

Ant-Man and the Wasp: Quantumania

Despite some story directions that didn’t work and some other quality issues, I think it did the job, and there are a few but enough of the good stuff here to at least warrant a watch.

★★★1/2

Mild spoilers

Directed by Peyton Reed

Written by Jeff Loveness

Quantumania is frustrating. Ant-Man has always been about the little guy (even the movie mentioned that repeatedly), but like the big boys he now has to handle a universe-ending threat of his own. (It even tries to ape Aquaman’s gonzo visual aesthetics, likely in an attempt to also achieve a similar box-office result.) But that makes Quantumania feel just like a formulaic Marvel entry instead of the fun “palate cleanser” (a term used by Paul Rudd himself) that many of us are reluctant to admit we needed, even as we griped about how inconsequential the Ant-flicks were.

Other problems:

Too many characters, a very smart villain that started doing stupid things near the end, the sorely-felt absence of Luis and his compadres of X-Con Securities Consultants, and the jettisoning of that wonderfully snappy editing style from the earlier films.

However, all is not lost.

The cast is fantastic. Jonathan Majors is the standout here, and his performance alone is worth the price of admission. Kang is absolutely menacing but also interestingly complex. I was fascinated by the level of gratitude expressed by the supposedly ruthless multiversal conqueror towards his savior, when he had absolutely nothing to gain from doing so, except a tiny sliver of what’s left of his humanity. Pfeiffer was given more to do this time, and her scenes with Majors were electric and made you forget you’re watching a superhero flick. Rudd, Douglas, and Lily are reliably good in spite of the limited material they had to work with.

I also liked that they pitted the main supervillain of the entire Multiversal saga against the most bottom-ranked Avenger, lower than even Hawkeye. This created a palpable sense of danger, where for the first time in the series of Ant-films you don’t feel that any of the characters are safe, by simply having the villain being way out of the heroes’ league by a million fold. There were a few times I thought, “they might actually be doing it.” A major cull to set the path for future Ant-Girl/ Stature/ Stinger Cassie Lang. The stakes in Quantumania certainly felt a lot higher this time round.

I know it should have been obvious just from the title alone, but I didn’t know the movie was set almost entirely in the quantum realm. I don’t watch trailers, so this was a genuine surprise for me, which worked in favour of the film. The other thing I wasn’t expecting wasn’t the identity of the big star cameo of the film, but that they made the person do something a little more sinister than just the usual jokey schtick cameos are expected to do.

Speaking of cameos, there is another one that seems to be getting mixed opinions, but I thought it was really funny, and the one where the aforementioned has a scene with Cassie Lang got the biggest laugh from me.

All an Ant-Man flick needed to do (for me) was to be entertaining. Despite some story directions that didn’t work and some other quality issues, I think it did the job, and there are a few but enough of the good stuff here to at least warrant a watch. Some of you might disagree, but I think Quantumania has a slight edge over most of the Phase 4 films but not as good as No Way Home or Shang-Chi.

My thoughts on the mid and end credit scenes (SPOILERS):

I thought the Kang variants (army?) were quite goofy. The Empire Spoiler Podcast gang joked that it reminded them of the Eddie Murphy’s films where he played multiple characters. The one with a clip from Loki Season 2 was just a very short teaser that featured Loki, Mobius and Kang in a scene, but doesn’t seem like anything of consequence, or even exciting, other than the fact that it’s coming.

Read More